GregED wrote:I sincerely doubt the Sangerand is Willow, aside from the fact that Madrigan does not actually *posess* Willow.. As I mentioned <a href="http://www.jetwolf.com/wolfpack/viewtopic.php?t=1390">long ago</a>, Sangerand is actually Spanish for 'vampire'. Whether or not this is an actual vampire, or some artifact relating to them, I sincerely doubt this is Willow, or even Vamp Willow.
I have reread your comments, but I am not convinced that I am incorrect. If "sangerand" is indeed Spanish for vampire--and I do not doubt you, I simply could not confirm as such--then I believe it is only one possible interpretation of the word.
I have not had as much time as I would like to further research this however what appears to be a common theme in words much like this one is blood. "Sangre" in Spanish, "sangue" in Italian. This is also true of a vampire.
In reply to your comment about Madrigan not possessing Willow, I do not see where this is an issue, I must confess. I have searched all of the episodes to date and found only two references to "The Sangerand." The first was in "Fringes," which was the first appearance of Madrigan.
"The Sangerand?" the young man queried, his unblinking gaze never wavering.
She bowed her head again before answering. "Everything is falling into place," she assured him, her voice raspy and deferred. "We are expecting a report tomorrow evening. Once we have enough information about the organization, we can decide upon and proceed with the next phase."
The man nodded, pleased with her answer. "And they don't have a clue?"
"They are not in the least bit aware. They're trusting to the last."
The second appears in "Where the Heart is," and I feel it is our strongest indication of Willow perhaps being "The Sangerand":
"Find her," the baritone suddenly ordered in a tone that left no room for argument. "Kill her."
"What?" questioned Judith, unsure if she had heard correctly.
"Do it now."
Without a moment's further pause, the Slayer spun toward the entrance and strode out, leaving behind a conversation that continued to echo from the still-glowing mirror.
"You can't kill her," a new voice, this one feminine and authoritative, interjected.
"The decision is made," the baritone flatly stated with finality.
"But the Sangerand—"
The bass interrupted her quickly. "This will be a setback, nothing more," it assured, though its gravelly voice left much comfort to be desired. "But if she finds us, then it is we who will be nothing more."
It does not state for certain that the Sangerand is Willow, but it seems suspicious, as the concern for the Sangerand immediately follows a command to kill Willow. At the very least, it suggests that Willow is somehow connected to this Sangerand, and that her death would jeopardize some plan concerning it.
At no point in my review of these scenes did I find an indication that Madrigan possesses--or even desires to possess--the Sangerand. Consequently, I am not certain that his lack of possession of Willow can be submitted as evidence for or against this theory.
Very interesting ideed.
Dana, I eagerly await any further comments you may have on my review, and thank you both for your kind words.






